Title of sinópsis: flower
frost By Pablo Garcia Mejia For a doctor treating real clinical cases
as if they were imaginary represents a real challenge, however, for a
writer treat clinical cases as if they were imaginary real is an event
that is difficult to deal with. However, Yukio Mishima (1925-1970)
environment imaginary or real part of a whole inextricable allows
trozar in a single court soul and mind. Reiko Yumikawa is a young and
beautiful woman who can not listen to the music, and not listen to cusa
its orgasmic failure induced by an unconscious but irreflenable desire
incestuous by his elder brother. She defends her world is aware as far
as possible, using a key weapon in these cases: one''s own psychology.
Dr. Kazunori Shiomi, suddenly they are immersed in a duel with its own
patient who became his colleague. Reiko is presented to each of the
appointments with different personality: this woman attractive is
providing clues provided false and erroneous data are easily calculated
at the same time will enveloping sensual in a relationship that can be
sexual. Thus, the professionalism of the psychologist is being tested
each time, including up to when she writes letters from their different
personalities and sometimes we do not know whether it will be imposed
on the pathological situation she presents. Music is a novel that the
medical report intertwined with the search detective, one is suddenly
confronted with a white mask Japanese where they move within their
watersheds, two enigmatic red eyes and torn, where everything is
incomprehensibly sane. Here, Dr. Shiomi never loses his calm but their
thoughts and feelings are drawn to the spotlight as a quartz light in
the darkness of a cave. The novel was published in 1964, when the
Japanese writer was already more than a legend because of his great
creativity deployed in plays and films, as well as novel and short
story. Mishima is perhaps the most famous writer in the West Asia. Not
obsatante, his impressive death in November 1970 caused great surprise
in the world, including in Japan, where he surprised his death at 45
years of age when he enjoyed a great success very early in the course
of his career. Perhaps some readers will be interesting to see how
Yukio were killed, as it took the lives of the very Japanese. Yukio
Mishima, one day in November 1970, arrived at the headquarters of the
Japanese armed forces accompanied by his two friends unconditional:
Morita and Chibi Koya, the three entered the headquarters on the
pretext of engaging in a conversation with General Koga Furu on some
issues military orders, since Mishima had created an army of one
hundred men and armament experts in martial arts to protect the emperor
Hiroito, if necessary.
Of course, the Japanese army took it rather,
this situation with some condescension and kindness, rather, as a quirk
of a famous writer. That day, the three guests came to the office and
then to engage the start deuna friendly talk, immediately and without
notice, pounced on the overall and tied him up and amordazaron, so as
not to intervene in the obsession of the writer, and on the other hand,
also to the generally not made the hara kiri, it was physically
abducted in their own barracks and the fact that only represented a
disgrace for him, while Yukio from a high floor gave a speech to the
soldiers who located down there in the yard, they talked about the loss
of Japanese traditions because of the rise of the West. The soldiers,
stunned, were very upset and abucheaban, insulted
gritándoleimproperios. Then Mishima was returned to the office where
the general was kidnapped and then sat in front of him in the lotus
position and started to perform the ritual samurai: sepukku consisting
of the hara kiri done in a special way, with honor. Later, while Yukio
was rasgaba visceral, Chibi Koya, his companion, standing on their
backs, trying with a large sword cut off the head,ut their
nervousness was very garnde and fus until the third attempt to succeed
in shooting the head of Mishima ; immediately did the same with his
friend Morita, sitting beside the writer who also made him company, as
he had previously promised, and probably continued beyond beyond death,
if anything remains. Pablo Garcia Mejia Mexico City