This novel has spoken about the
life of Lisey Landon, widow - for two years of the famous writer Scott Landon. Like says it the title, it acts of its
history, but its history with her only, nevertheless traversed many flash-backs of its life of
wife who make us include/understand her states of heart little by little and its felt when she tries to arrange the office of her late husband, where he wrote all his best-sellers, where it drank god knows how many whisky and beer bottles, where he wrote, the music à.fond (country blues), on its large desk, Big Mama Jumbo...<
BR>Until the moment when one ruined comes to threaten it if it does not yield the last writings, not completed and not published, of Scott... this
intrigue remaining only
secondary, to give the prickly one to the intrigue tied up and
touching which relate to Scott and Lisey, in connection with the childhood of Scott.
As in the majority of its novels, King feeds an even languishing suspense torturing; half of the book not holding in sharp subject but only in the secondary intrigue. To mitigate that, the familiar tone that the author takes through the thoughts of Lisey is irresistibly attaching, it shows some to us of all the colors for all the tastes of the expressions going of "Cow-boy of the Hyperspace" with "Furnace with suction". It is brilliant.
Most disconcerting, most touching, more moving, more terrifying remains all the same the life of Scott, discovered and deepened by its Lisey wife who will make of it mourning right with the final one.
A disturbing but fascinating history...
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