Considered one of the most appreciated contemporary French
poets, Bernard Nöel develops in this
work a luck of extensive monólogo in which the
actress Anna Magnani expresses itself and describes, through a imbuido language of oníricas suggestions, approaching us of some way the world of the surrealistas poets. Eye exists third in each creator, that other glance that moves it to transpose the threshold to summon other worlds, "otredad" to that Rimbaud, that will allow him to penetrate the
soul of Anna and to feel lived by all their pulsiones, by those vericuetos alluded that the actress capably crossed when she created the interpretation of his
personages. In it indeed, it is the force of his work, Bernard Nöel is able to see behind the mere appearance. It knows like arriving at the essential nucleus where the soul and its
shades, the cones of lights reside and shades, which is guessed and it is discovered because the humanity of a person has been observed kindly who has dedicated all her
life to give life to imaginary personages. The Mouth of Anna reveals a vital text to us, a poem in prosa that talks about the body and that says not to the disease and the death. It is for that reason a celebration of the life, the love and the truth that obsesses the great creators.
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