Like the fragrance that
takes to the air
Like birds
that fly across the blue sky
Like the
winds that blow without care
Like the buds
that explode with joy
Her cheeks
flushed red with exhilaration
A cool
deep breath energized her sprite
Though time
and tide wait for none
She lumbered
on with all her might
Her
hard-stricken heart of a lion
Was stalked
by neither death nor grief
Without
the slightest trace of despair
She clung
on to an undying be-leaf
Shunned by friends and family
Torn apart
by war and regret
Bound by
grit and determination
She revived
her world step by step
A scalawag’s
deceit, pretence and play
She used them
all like a shrew untamed
Even sizzling
love affairs were planned
To re-live
a life prosperous and famed
But her
vivacious story couldn’t fill the book
Ever-changing,
as it wildly spun unhinged
Threads
wound round a restless spool
A spool that
was ever gone with the wind
“It was the best of times, it was the worst of times, it
was the age of wisdom, it was the age of foolishness, it was the epoch of
belief, it was the epoch of incredulity, it was the season of Light, it was the
season of Darkness, it was the spring of hope, it was the winter of despair, we
had everything before us, we had nothing before us, we were all going direct to
Heaven, we were all going direct the other way--in short, the period was so far
like the present period, that some of its noisiest authorities insisted on its
being received, for good or for evil, in the superlative degree of comparison
only”
- Charles Dickens, ‘The
Tale of Two Cities’
I’m
talking of the mid-nineteenth century; of Georgia and Atlanta; of the Yankees,
the American civil war and Reconstruction; and amidst this melee, of a
scintillating saga of romance and roguishness, whence, before one could wink an
eye, a beautiful civilization was swept off its feet and reduced to nothing
more than a reminiscent dream.
And in
the elegy, “she” is none other than the protagonist Scarlett O’Hara, the spoilt
and pampered child of Gerald O’Hara of Irish descent and Ellen Robillard of French
ancestry. “She” was envied for her charm
and reputation as the southern belle of the Clayton county of Georgia. Unlike
her sister Sullen and Careen, she had only inherited the deceptive outer beauty
of her mother. But her insides flushed with the violent and vivacious Irish
blood of her father that made her extraordinarily shrewd, practical and loyal
to her home and plantation, Tara.
Scarlett
O’Hara Hamilton Kennedy Butler was indeed an embodiment of courage and
determination who did not cry about the past, but looked forward in life and
faced all hurdles head on. Her mantra for escaping all troubling and painful
thoughts was “I’ll think of that tomorrow, because tomorrow is another day.”
This gave her the courage to run her lumber business that boasted blooming mills
and stores with such efficiency that even men would hang their heads in shame. Even
though she was condemned publicly for her unladylike conduct, it did not discourage her in
the least. Her income trebled with each passing day. In the post-war crisis and
Reconstruction era, if there were any survivors, she was the most prominent
among them.
But nobody
is perfect; she wasn’t either. She used love and marriage as a trap and
realized their meaning too late to make any amends, she was too workaholic and
materialistic to concentrate on her children and she had a razor-sharp tongue
that made enemies out of best friends. But in spite of all her shortcomings,
she was not afraid of life or bound by worthless customs. She lived her life to
the full and enjoyed every moment. She did not spend her time grieving like Careen
or constantly complaining like Suellen. She was frank and candid about how she
felt and pursued her goals relentlessly, which ultimately resulted in her
success.
This is
why she was my favorite character. And the medley of myriad personalities that
strung around her life made the book a pleasure to read. It preserved an
authentic essence where no one was depicted in black or white, but shades of
grey. The spirit of cut-throat competition, the policy of the survival of the
fittest and the obstacles one faces in life were all described most elaborately
in a very realistic manner. I appreciated the fact that the existence of
“slavery” was shown in its true form, and the outlook of people towards it was not
distorted by external opinions. The author portrayed emotions in the full light
whether it was love, lust or languish.
In
fact, the narrative was absolutely non-judgmental. The climax was left open to
the readers to contemplate. This lent a unique flavour to the story as readers
could form independent opinions about it and twist the end as they willed.