Zohra works in an agency of pub, soon thirty year, it is its first true job and it puts the package. It writes contents for Web sites, it aligns sentences, words and images. It is alone, the words pitch and the sentences seems to him hollow. But all the speeches, the behaviors legitimate its choice of life. After one evening arosée it sleeps with one of her colleagues and realizes that it will even have to divide that with the agency of pub. One day, it returns on an impulse in a swimming pool not far from the office. The contact with water, the feeling of its own body gets a great wellbeing to him. The swimming pool and the daily practice of swimming will become quickly for it a puff of oxigene necessary of which it maintains the secrecy. But the water tower has to him also its sirens. A swimming teacher believes in his aptitudes and the growth to be improved. Subjected to an intensive drive Zohra crosses the year in apnea. At the office, it takes more and more freedom with the schedules, is not able to be implied in steps which seem to him against nature, takes delay. With the swimming pool in spite of its intensive drive it seems unable to manage to find the gesture perfect. From now on Zohra is seized by a faintness deaf person and constant which pushes it to flee the agency, to cut buzz which escapes from it, to swim by spite. Only always only. "A through the character of Zohra, the tower water brushes the portrait of a distress, that of its individuals -- our contemporaries -- who disqualified by the scene social and prétenduement interchangeable have of another choice only the tender or will performance