It appears in the synopsis of the book:
"Poetry book of flashes, of their dazzles and the subsequent darkness and light new search, of the creative air that could redeem the poet of his excesses and shortcomings. If in other creations the author lets himself get along either by Musa or by Angel, it is the Imp who comes here, sometimes massive, whispering others, in his artistic aid".
The own life experience is transmuted now avoiding silences and allowing the ''dragon'' (call it Imp, Elf or Billy Goat ...) spit fire from its male side---not from the man, let it be understood in the sense of energy , not of forms---typical of the still young hunter, hormonal in his being influenced by natural cycles with all his excesses and the hangovers that follow, that pendulum between death and life which lashes his perception and gives him the word to describe its own oscillations between the celebration of life and the ''winter'' void, between the creative abundance and its absence which causes in the author that sort of complain comparable to the flamenco howling or a Godspell prayer, establishing an understandable analogy.
In the mosaic that the poet keeps developing as he walks along and across the world, this piece would be located halfway between silence and initial completion (removal of signs in El Árbol Axial or the big bang in Trazos de Selenia, for example) and an alleged end after the expansion of his universe that should mean smooth and open prose, a whole universe, again, and accessible to itself, that is, to any readers. Convilecencia contains very explicit lines about excess and its consequences, it starts to denote rather than connote releasing characters from the author''s life experience in the sense of shaping, at that point of the way, the own universe which he no longer fears to look at.