This paper looks at how "Everyman" and "The Song of Roland" are both morality plays, which were written anonymously during
the medieval times. It examines how both
plays give a message of
ethics and good faith to their audience mainly through their main characters Everyman and Roland and how each hero undergoes death, which is in accordance with Christian ideals. It emphasizes the differences between how both characters struggle and face death and how they eventually learn to accept their fate.