This paper examines how elements of realism and
romanticism can be found in any work of literature, although usually one
or the other will predominate and how the subject matter or theme of a piece of writing can be realistic, while the delivery in tone, style and diction may be romantic. It shows how such is the case with the works of Paul Laurence Dunbar, Alice Dunbar-Nelson and Mary E. Wilkins Freeman by reviewing their works "A New England Nun," "Sister Josepha," "Sympathy," and "We Wear the Mask". It looks at how each of these authors approaches the mundane world of social class and conformity, emphasizing the role of structure and order in daily life. Strength of character and personal integrity are valued over flights of fancy, even though the protagonist in each example exhibits a desire for
transcendence. It discusses how Dunbar, Dunbar-Nelson and Freeman all employ a flowery, romantic writing style that belies their chosen subject matter and how each of these American writers skillfully combines elements of both
romanticism and realism to form an authentic tapestry of the human condition.