This paper examines how throughout the "Songs of
Innocence" collection William Blake
presents a variety of images that reflect
the
innocence and naivety, of both child and adult, in regard to religious and spiritual understanding. It looks at how the deliberate ambiguity of the recurrent images serves as an extension of his beliefs and how, influenced profoundly by the French Revolution and the Romantic period, he
presents images of the unity of the human race.