This paper is about three sculptures of the Buddha image and how they have changed throughout different cultures and time
periods. The paper begins with a
discussion of a standing Buddha from India, which was where Buddhism began. It then moves on to two other
countries, Tibet and Thailand, where Buddhism is still popular. The paper then explains how the people of these countries took what the Indians had done in their portrayal of the Buddha and made it their own, adding parts of their culture to the image. In regards to Thailand, there is a discussion about the Sukhothai walking Buddha, which was probably the most important image from that period. Then, the gold image from Tibet is discussed, which was very interested in the cosmic or Tantric form of Buddhism. The paper concludes by pointing out that the image has changed over time and cultures, but still enables us to know it's a Buddha image through the consistent characteristics given to the Buddha in sculpture.