The
Documentary Hypothesis
Having established the hypothesis that Moses had not written the Pentateuch, attention next
turned to the question of who had. Independent but nearly simultaneous proposals by H. B. Witter, Jean Astruc, and J. G. Eichhorn separated the Pentateuch into two original
documentary components, both dating from after the time of Moses. Others hypothesized the presence of two additional sources. The four documents were given working titles: J (or Yahwist), E (Elohist), P (Priestly), and D (Deuteronomist), each was discernable by its own characteristic language, and each, when read in isolation, presented a unified, coherent narrative. Subsequent scholars, notably Eduard Reuss, Karl Heinrich Graf and Wilhelm Vatke, turned their attention to the order in which the documents had been composed (which they deduced from internal clues) and placed them in the context of a theory of the development of ancient Israelite religion, suggesting that much of the Laws and the narrative of the Pentateuch were unknown to the Israelites in the time of Moses. These were synthesized by Julius Wellhausen (1844-1918), who suggested a historical framework for the composition of the documents and their redaction (combination) into the final document known as the Pentateuch. This hypothesis was challenged by William Henry Green in his The Mosaic Origins of the Pentateuchal Codes (available online). Nonetheless, according to
contemporary Torah scholar Richard Elliott Friedman, Wellhausen's model of the documentary hypothesis continues to dominate the field of biblical scholarship: "To this day, if you want to disagree, you disagree with Wellhausen. If you want to pose a new model, you compare its merits with those of Wellhausen's model." The documentary hypothesis is important in the field of Biblical studies not only because it claims that the Torah was written by different people at different times—generally long after the events it describes. It also proposed what was at the time a radically new way of reading the Bible. Many proponents of the documentary hypothesis view the Bible more as a body of literature than a work of history, believing that the historical value of the text lies not in its account of the events that it describes, but in what critics can infer about the times in which the authors lived (as critics may read Hamlet to learn about seventeenth-century England, but will not read it to learn about seventh-century Denmark).
Modern developments
The critical analysis of authorship now encompasses every book of the bible. Every book in turn has been hypothesized to bear traces of multiple authorship, even the book of Obadiah, which is only a single page. In some cases the traditional view on authorship has been overturned; in others, additional support, at least in part has been found. The development of the hypothesis has not stopped with Wellhausen. Wellhausen's hypothesis, for example, proposed that the four documents were composed in the order J-E-D-P, with P, containing the bulk of the Jewish law, dating from the post-Exilic Second Temple period (i.e., after 515 BC); but the contemporary view is that P is earlier than D, and that all four books date from the First Temple period (i.e., prior to 587 BC). The documentary hypothesis has come into question in recent decades, at least in the four-document version advanced by Wellhausen and refined by later scholars such as Martin Noth (who in 1943 provided evidence that Deuteronomy plus the following six books make a unified history from the hand of a single editor), Harold Bloom, Frank Moore Cross and Richard Elliot Friedman. The direction of this criticism is to question the existence of separate, identifiable documents, positing instead that the biblical text is made up of almost innumerable strands so interwoven as to be hardly untangleable — the J document, in particular, has been subjected to such intense dissectat it seems in danger of disappearing. Although Biblical archeology has confirmed the existence of many people, places, and events mentioned in the Bible, many critical scholars have argued that the Bible be read not as an accurate historical document, but rather as a work of literature and theology that often draws on historical events — and often draws on non-Hebrew mythology — as primary source material. For these critics the Bible reveals much about the lives and times of its authors. Whether the ideas of these authors have any relevance to contemporary society is left to clerics and adherents of contemporary religions to decide.
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