Play
technology and its components, the list since the Greek era
Modern theater has seen in recent decades, a major
development in the area of technology, this evolution has included the fields of architecture and theater Alsceniogravea (space and landscape the play), and light, sound and costumes.
There is no doubt that this
development has led to Mbeshraly create new horizons for directors and representatives of authors and the discovery of ways and tools and new possibilities in the embodiment of creative and artistic creation, as well as improving the conditions of receipt, the recipient can now be seen in the supply of humanitarian conditions in the best equipment and the possibilities of speaking to all levels: sound, image, distance and amenities, commensurate with the spirit of the times.
It should be noted that this development did not emerge Suddenly, at this stage of the history of the theater, theater technology, the list since the Greek era, Pmakintha simple and easy solutions to reflect the scenes of the play, this technology has evolved over the centuries the play.
Old technology, but the play was easy to implement in its entirety and a metaphorical function in most cases.
Some researchers included in the technological arena in the first centuries of its development, within an easy or simple techniques, while Mike Ryan of the technological development of the modern theater complex falling within the type of speed and rhythm, yet it is so difficult to cope by the theaters of modest means.
For example, in the area of voice and sound effects thunder was implemented so the fifties of the last century using a metal plate, and the voice of the horse hoof is implemented through the use of dry coconut crust. There was a simple machine used to make the voice of the wind by burlap cloth. The Voice of rainfall had been moving through the pipes in dry peas. What happened in the evolution of voice and sound effects in recent decades, especially after the emergence of the computer they are not leap in the evolution of the theater by the quantity, quality and speed.
One of the researchers called the progress in the techniques of theater revolution within the revolution of the modern theater, the cradle of the revolution with the modern pioneers of the theater like Mierhold, Craig, Apia and Neher achievement and represented the beginning of the first steps in changing the structure of space and Muammara stage lighting and sound techniques.
Was about changing perceptions of the pioneer stage a radical change seems to beat the time of the dream and vision of the future, but the visions and perceptions revealed the pioneer front of the stage and prospects of
contemporary Ovdip areas may not have been easy to imagine, however, the creative imagination of the likes of Craig and Mierhold Apia.
It could be argued that this significant development, which culminated in the musical theater, opera and dance performances, created a new theatrical language of modernity and the language of the theater of post-modern, as is clearly reflected in the senior directors of our time, such as Giorgio Strehler and Robert Wilson and Robert Lepage. Work in which the dreams of many of the early pioneers of the modern theater.
The technology was the main instrument to achieve the dream art, and an outlet for the imagination of the artist theatrical visions.