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Shvoong Home>Arts & Humanities>Film And Theater Studies>The ontology of the photographic image (First reading) Summary

The ontology of the photographic image (First reading)

Book Summary   by:mv     Original Author: Andre Bazin (selected and translated from French by Hugh Gray)
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An assay. 5 p. From "What is Cinema?" - two volumes. Vol. 1. Published by "University of California press", London 1967. This is the first of the selected assays in this book. It talks about fundaments of creating of the photographic image (whether in the cinema or in photography.) The need of people to make images which resemble the outer world comes from strictly psychological fear of death - "the preservation of life by a representation of life." Therefore the conflict in plastic arts between it''s aesthetic and psychological ambitions, to whom the invention of camera has put an end to. There was no longer need for painters to preserve figures, because there is a better tool to do so and they can deal only with the aesthetic part of the art. zelemv@gmail.com
Published: June 23, 2007   
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