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Shvoong Home>Arts & Humanities>History>The Masque: An Essay on the Divine Presence Summary

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The Masque: An Essay on the Divine Presence

Article Summary by: carlombas     

Original Author: carlos lombas
Introduction
The mask is the hieratic face of your god. Monotheistic tastes have been simplifying the significance
of using multiple masks. The actions incomprehensible shot, never go all in one mythic personality, so it was necessary to its multiplicity (masks) to represent less human actions or those which required an explanation heterodox.
Today there are no limits on the use of masks and disguises hundreds of stadiums that do not obscure other meanings, exalted.
An uncertain origin we apply ourselves to superimpose our facial features, other immutable for diversifying the exploits that have strategies in dreams. And one day just explaining to others that this approach provided us with serenity and life.
The game had started putting a face static doctrine, the denouncement of our gestures, to make us accomplices in other designs intimates that intelligence, incomprehensible to outsiders, it allowed us to use as a form of government.
Already, however are in pursuit of our desires upon the reason for that strategy which put us as visionaries.
Nothing has changed except the materials for making masks.
And discover that all what we face is alive or is produced by living organisms essential to the mask continues to accept the rough explanations that consciousness arises and so we print it when people recreate, others who are them, give them life, and I talk about the actors, or the celebrants of a ritual, which have raised their hands to stand in front of his face more concrete representation of sanity in an extreme event.
The search for an explanation that favors us, bringing us closer to the primordial state of living matter effective as an experiment, out of expectation of repetitions and customs favored by a group of intelligence, appropriate to co-manage with the natural stages, the discoveries that bind immaterial to the conscience of the sacred, meaning sacred representation of illusions.
Illusions are always on pedestals and performing a ceremony full of mental experience in the waking hours, and as the predominant sleep refreshes, and then gives them visibility, fees and arranges displays and responsibilities that must take place and occupy their permanent celebrants.
Although these weak timeless vicissitudes gave the trivial character mask, in the long journey from their imposition have illuminated knowledge.
And this invisible god or gods in their actions, influenced the physical appearance of their representations iconoclasm.
Figuring that its existence not so invisible and intangible, that tiny part of moving or static electricity generated by vital structures, equipped with primitive skills, concentrate all the power of creative knowledge.
Having reached this agreement will give the floor to the mask. 
Published: October 17, 2009
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