PRIMORDIOS If in the primórdios of the Heavy Metal in the international scene we find a strong name as of the band The Yardbirds and, still, the pioneers, Cream, Jimi Hendrix Experience and The Who, in Brazil history is well different. The embryo was created thanks to the efforts of the São Paulo brothers Celly and Tony Campello and, still, Sergio Murilo, Ronnie Cord, Mary Pavão and the following Jets Blacks, The Clevers and the Tijucanos of the Rhythm.Also we cannot attribute the heading of pioneers of the Metal to the members of the movement of the Young Guard, that sheltered names as Robert Carlos, Erasmo Carlos, Wanderléia, Eduardo Araújo and Silvinha, the Incredible ones, among others, therefore the Young Guard, that continued the Saga of the Rock'n'Roll with the Iê-Iê-Iê in Brazil, beyond arriving with delay, was very held for the standards of the style more deloused of the Rock of the time. In addition, this phase of the Young Guard lasted until the end of years 60, at a time where until the English band Black Sabbath, precursory Real of the Heavy Metal, initiated its career. After many years bands had appeared who really touched the Heavy style, since many of the existing ones in the end of years 60 until the half of years 70 could until touching with “a heavy” noise and certain revolt and attitude, but did not have any connection with the Heavy Metal. They were the great bands of ball, the bands to cover that they livened up “to little parties” and the festivals college students, nitidamente influenced for the Rolling Stones, The Beatles and the great masters of the Rock'n'Roll. Amongst the these, most representative and vigorous they had been the Made In Brazil, the Mutants, the Weight, the Terço and the Bolha.olhem> www.heavymetalbrasil.com.br/brasil.htm