Contemporary Indian Films.
Today Indian Film Industry is feeding 6 millions of people. Indian cinema sector has made 5,650 crore business during 2004 and it may reach 12,926 crore during 2009.
There is no shortage for creative films in India beside the gust of mercantile films.
“Arth”(Meaning) (1982),”Mirch Masala”(Chilly Spice)(1985) gave jubilation moments to Indian ideal movies
.”Ankur”(1974) clears humdrum situation in the index of Indian films. It is about Landowner Surya and a woman Laxmi having deaf-mute husband. Film brings symbolic act of rebellion against India’s social structure.
“Paheli” which claimed India’s official entry for Oscars is a romance between a giddily dressed ghost and giddily dressed woman.
Satyajit Ray – a gay of hope to Indian Cinema.
Ray made 36 films over a period of 37 years. These films brought great ecstasy and prevented ebb of Indian movies
.”Pather Panchali” and it’s extension
“Parajito” and
“Apur Sansar” are still said to be classics of Indian movies. They background migration of agricultural based India to Industrialization. They characterize Appu and Durga and drenches moments of migration of small village boy Appu to city when he grows up. His
“Mahanagar”(Big City)(1963) compliments city life is another classics of Indian cinema. In the film Subrato (Film Hero) looses his job. In the middle of night Arti (his wife) wakes him up and tells him that she has an idea that she will start working describing a complex and liberating journey
.”Charulata”cobwebs minute human facts and is said to be climax of his creative art
.”Monihara”is a ghost story and is another example of his dexterous.
”Paras Pathar”-about a clerk
,”Chiriyakhana”-a detective movie
,”Abhijak”-about a smuggler
,”Hirak Rajar Deshi”,”Kanchanajunga”,”Nayak” are some of his other noteworthy films with no likeness.
Perennial movies from Southern India:
“Daivanamathi”(Malayalam) premiered at Osians 7th
festival of Asia
.”Perumazhakkalam”(Malayalam) premiered at
Zanzibar International Film Festival in East Africa
.”Uttarayan”(Marathi) traveled to
London Film Festival.”Shwaas”(Respire) by Sandeep Sawanth went to Oscar. In Kannada,
Girish Karnad’s “Ondanondu Kaladalli”(Once up on a time) ,Girish Kasaravalli’s “Ghatashradha”,”Tabarana Kathe”(Story of a shepherd),”Phaniyamma”(Name of a lady),”Nayiya Neralu”(Shadow of a dog) have created new waves among audience.”Datu”(Substance),”Chomana dudi”,”Avasthe”,”Hosa Neeru”(Water),”Bara”(Draught),”Kada Beladingalu”(Moonlight in Forest),”Moggina Jade”,”
Samskara”(Culture) all from
Kannada regenerated and carved audience vision.